本案以解構主義的空間思維作為設計核心，透過量體與板件之間的錯置、穿插與張力關係，形塑空間的界定方式與行走動線的視覺引導。空間並非以牆體作為單一邊界，而是藉由構成元素之間的關係，建立層次分明且具有方向性的空間秩序。

 光，作為貫穿全案的重要設計媒介，不僅用以塑造氛圍，更被引入至細部尺度中，回應收邊、轉折與端點的處理、也用於強化空間主體的主位，使構造語彙得以被感知、閱讀。藉由光線的介入，材料與結構的關係被進一步強化，讓空間在不同時序中展現細膩而克制的表情。

整體設計回歸空間本質，拒絕以純粹裝飾作為主導，而是透過構成、比例與光影的對話，營造具有當代精神的空間體驗。色彩計畫以灰白為基底，輔以橘色與深棕色作為節點性的視覺錨點，在淡雅與張力之間取得平衡，使空間在克制之中仍保有情緒與能量。

This project is grounded in deconstructivist spatial thinking, using the dislocation, interpenetration, and tension between volumes and planar elements to define spatial boundaries and guide both movement and visual perception. Rather than relying on walls as fixed enclosures, space is articulated through the relationships between architectural components, establishing a layered and directional spatial order.

Light functions as a key design medium throughout the project. Beyond shaping atmosphere, it is deliberately introduced at a detailed scale to articulate edges, transitions, and terminations, while also reinforcing the hierarchy of spatial focal points. Through the intervention of light, the relationship between material and structure is further intensified, allowing the space to reveal a restrained yet nuanced expression across different moments in time.

The overall design returns to the essence of space, rejecting purely decorative gestures in favor of a dialogue between composition, proportion, and light. The color palette is anchored in shades of gray and white, complemented by accents of orange and deep brown that act as visual anchors. This balance between subtlety and tension allows the space to maintain emotional depth and energy within a composed and controlled framework.

City Taichung

Size

Designer Lai Yang-chih

Director Lai Yang-chih

Photographer Matteroom

Year 2025