繁瑣的都市節奏中,為屋主構築一處讓心靈降落的棲息地。我們將空間視為一張純淨的畫布,以低飽和度的灰白色階(Silver)建構極簡的幾何體塊,透過大面積的留白,等待光影與綠意的揮灑。空間採取異材質的層疊與懸浮、薄層天花設計,消弭了大型量體的壓迫感,賦予介面輕盈感。木質元素的置入不僅是視覺上的溫潤調和,更是為了與屋主珍愛的植栽(Green)達成一場關於生命力的無聲對話。我們刻意簡化了色彩層次,讓光影成為空間的第二層組織。透過間接照明的層次分布,使靜態的白灰空間產生動態的深邃感。讓植物的呼吸與光影的演繹成為主軸,一場關於材質、比例與自然共生的實踐。
Amidst the frantic pace of urban life, we have crafted a sanctuary for the soul to find its grounding. We envision the space as a pristine canvas, employing a low-saturation palette of silver and white to construct minimalist geometric volumes. Through expansive use of negative space, we invite the interplay of light and greenery to flourish.
By layering contrasting materials and incorporating floating elements alongside a thin-layered ceiling design, we have eliminated the heaviness of large-scale volumes, imbuing the vertical and transitional interfaces with an ethereal lightness. The introduction of timber elements serves not only as a warm visual balance but also as a silent dialogue with the owner’s cherished plants (Green), evoking a profound sense of vitality.
We deliberately simplified the color hierarchy, allowing light to function as the secondary structure of the space. Through the rhythmic distribution of indirect lighting, the static silver-white environment gains a dynamic depth. Here, design recedes into the background, allowing the respiration of plants and the choreography of light to take center stage—achieving a precise practice in the synergy of material, proportion, and nature.
City Taichung
Size
Designer Lai Yang-chih
Director Lai Yang-chih
Photographer Matteroom
Year 2025